1960's

Hanoi Jane and the FBI vs. Jean Seberg's Baby (Jean and Jane Episode 7) by Karina Longworth

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Listen to this episode on Apple Podcasts.

After shooting a film with a much-changed Jean-Luc Godard, Jane Fonda travels to Vietnam, where she naively participates in a stunt that would leave her branded “Hanoi Jane” for decades. The world media had a field day mocking her, the US government set to work plotting to destroy her, and Jane would seek refuge in a new relationship with activist-turned-politician Tom Hayden. Meanwhile, in the midst of divorcing Romain Gary, Jean found herself pregnant. Having wiretapped a phone call between Jean and a Black Panther about her pregnancy, the FBI decided to “neutralize” both Seberg and her unborn child.

Jane Fonda and Donald Sutherland during a F.T.A. performance, 1971

Jane Fonda and Donald Sutherland during a F.T.A. performance, 1971

Jane Fonda accepts her Academy Award for Best Actress, 1972

Jane Fonda accepts her Academy Award for Best Actress, 1972

Jane Fonda during her 1972 visit to Hanoi, North Vietnam

Jane Fonda during her 1972 visit to Hanoi, North Vietnam

Jean Seberg and David Janssen, Macho Callahan, 1970

Jean Seberg and David Janssen, Macho Callahan, 1970

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SHOW NOTES:  

Sources:

Played Out: The Jean Seberg Story by David Richards

Breathless by Garry McGee

A Taste of Power: A Black Woman's Story by Elaine Brown

My Story by Jane Fonda

Jane Fonda: The Private Life of a Public Woman by Patricia Bosworth

Jane Fonda's War: A Political Biography Of An Antiwar Icon by Mary Hershberger

“Barbarella Goes Radical” by Susan McLeland from the book Headline Hollywood: A Century of Film Scandal edited by Adrienne L. McLean and David A Cook

“The Authorized Version : How I Fell in Love With Jane” by Tom Hayden, Los Angeles Times, May 5, 1988

“Total recall” by John Patterson, TheGuardian.com, September 2, 2005

“The Truth About My Trip To Hanoi” by Jane Fonda, JaneFonda.com, July 22, 2011

Music:

All of the music used in this episode, with the exception of the intro and outro, is from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. Outro song: “A Mistake” by Fiona Apple. Excerpts from the following songs were used throughout the episode: “Meet Me in Queens 2” by Orjan Karlsson, “Easy Lynch Guitars 1” by Johan Hynynen, “EarthBound 1” by Joachim Nilsson, “Salty Breeze”, “Earthbound 1” by Joachim Nilsson, “Tomorrow I'll Be Gone” by Franz Gordon, “Easy Lynch Guitars 2” by Johan Hynynen, “Modern Vintage Gypsy 2” by Gavin Luke, “Devils Canyon 1” by Håkan Eriksson, “Song For Johanna” by Franz Gordon, “Mediterranean Mix 10” by Stefan Netsman, “Groovy Development” by Christian Andersen, “Musique a la Carte 5” by John Ahlin, “Last Exit To Earth” by Håkan Eriksson, “A Trace Of Light 2” by Magnus Ringblom, “I Need to Start Writing Things Down” by Chris Zabriskie.

Sponsors:

This episode is sponsored by The Great Courses Plus and American Express.

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Jane vs. Barbarella (Jean and Jane Episode 5) by Karina Longworth

Listen to this episode on Apple Podcasts.

Having coaxed Jane into participating in an open marriage, Vadim began casting her in films as a male fantasy of female sexual liberation. This phase of her career would peak with Barbarella, a sci-fi film based on an erotic comic book featuring Jane as a horny space warrior. Jane’s perfect body was on full display and fetishized the world over, but no one knew the self-destruction that went on behind the scenes in order to maintain her looks. While Vadim was building her up as an international sex kitten, Jane was gradually becoming more socially conscious. For all of his experience with women, Roger Vadim didn’t know what to do with a woke wife.

SHOW NOTES:  

Sources:

Jane Fonda: The Private Life of a Public Woman by Patricia Bosworth

My Life So Far by Jane Fonda

Bardot, Deneuve, Fonda by Roger Vadim

Easy Riders, Raging Bulls by Peter Biskind

“Barbarella Goes Radical” by Susan McLeland, from the book Headline Hollywood: A Century of Film Scandal edited by Adrienne L. McLean and David A Cook  

“Heres What Happened to Baby Jane” by Gerald Jonas, The New York Times, January 22, 1967

Music:

All of the music used in this episode, with the exception of the intro and outro, is from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. Outro song: “Gloria” by Patti Smith. Excerpts from the following songs were used throughout the episode: "Groovy Development " by Christian Andersen, "Neighbours At Night 2" by Martin Hall, "Salty Breeze 1" by Martin Gauffin, "Easy Lynch Guitars 2" by Johan Hynynen, "Swamp Fever 3" by Håkan Eriksson, "Old Time Action 2" by Gunnar Johnsén, "Psychedelic Weirdo Lounge" by Håkan Eriksson, "A Mysterious Presence" by Håkan Eriksson, "You're In Trouble Deep" by Anders Bothén, "Ambient Acoustic Guitar 19" by Anders Ekengren, "Ambient Acoustic Guitar 18" by Anders Ekengren, "Meet The Macho Man 1" by Bo Järpehag, "Meet Me in Queens 2" by Orjan Karlsson, "Suburban Life 3" by Gavin Luke, "High Stakes" by Nicklas Ahlstrom.

Sponsors:

This episode is sponsored by Blue Apron, Naturebox and American Express.

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Jean vs. Lilith (Jean and Jane Episode 4) by Karina Longworth

Listen, download this episode, or find on iTunes.

Having left her husband to be the mistress of writer/diplomat Romain Gary, Jean secretly gave birth to a son, and then made the movie that she thought would prove herself as an actress once and for all. In Lilith, Seberg would go all in on her portrayal of madness -- perhaps too deep. After a disastrous collaboration with Gary, Jean happily accepted an offer to star in a big budget Hollywood musical. But it was 1969, the studio system had crumbled, and that musical -- Paint Your Wagon -- would become a symbol of everything that was wrong with the Hollywood establishment.

Jean Seberg and Romain Gary, 1960's

Jean Seberg and Romain Gary, 1960's

Jean-Pierre Cassel and Jean Seberg in Five Day Lover (1961)

Jean-Pierre Cassel and Jean Seberg in Five Day Lover (1961)

Jean Seberg and Warren Beatty and in Lilith (1964)

Jean Seberg and Warren Beatty and in Lilith (1964)

SHOW NOTES:  

Sources:

Jane Fonda: The Private Life of a Public Woman by Patricia Bosworth

My Life So Far by Jane Fonda

Played Out: The Jean Seberg Story by David Richards

Star: The Life and Wild Times of Warren Beatty by Peter Biskind

The Kid Stays in the Picture: A Notorious Life by Robert Evans

The Talent Scout by Romain Gary

Music:

All of the music used in this episode, with the exception of the intro and outro, is from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. Outro song: “Schizophrenia” by Sonic Youth. Excerpts from the following songs were used throughout the episode: “Modern Vintage Gypsy 3” by Gavin Luke, “Readers Do You Read” by Chris Zabriskie, “Meet Me In Queens 2” by Orjan Karlsson, “A Trace of Light 2” by Magnus Ringblom, “Musique a la Carte 5” by John Ahlin, “Song for Johanna” by Franz Gordon, “Some Autumn Waltz 1” by Jonatan Järpehag, “Latin Quarters Jazz Band 2” by Magnus Ringblom, “Les Beaux Jours 3” by Martin Gauffin, “Past Closing Time 3” by Magnus Ringblom, “High Stakes” by Niklas Ahlstrom, “Suburban Life 3” by Gavin Luke.

Sponsors:

This episode is sponsored by The Great Courses Plus, Audible and American Express.

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Maurice Ronet and Jean Seberg in Birds in Peru (1968)

Maurice Ronet and Jean Seberg in Birds in Peru (1968)