Dead Blondes

Dead Blondes Opening Montage Credits by Karina Longworth

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Last season our Dead Blondes opening montage included audio clips from various films and actresses, most** of which were featured throughout the series. Because so many listeners requested it, here is a list of the intro clip sources. For a full list of films referenced in the Dead Blondes series, or any other episodes in the archive, please check out the You Must Remember This Film Club. Asterisked clips were included in the Peg Entwistle: Dead Blondes Part 1 intro montage. All of the other Dead Blondes episodes had a shortened version. 

**There's a clip from Lilith in the Dead Blondes intro, but there wasn’t a Jean Seberg episode. Why? A few weeks into planning last season I realized there was a blonde that I hadn't originally planned to include who needed to be included. At the same time I had an idea for a future season in which I could cover Seberg in depth. So, there will be lots of Jean Seberg... next season.


“Where are you going? To Hollywood...Hollywood?” I Wake Up Screaming (1941) Carole Landis

"You come here for excitement?" Lilith (1964) Jean Seberg

“I’m better than a Human Woman.” Galaxina (1980) Dorothy Stratten

* “Why do you look at me that way?” I Married a Witch (1942) Veronica Lake

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* “It was me they were interested in. Some people think I'm a very attractive girl. You didn't create that. I'm no Frankenstein, you know... I wonder.”  I Wake Up Screaming (1941) Carole Landis

* “It’s men like you who have made me the way I am.” Gentlemen Prefer Blondes (1953) Marilyn Monroe

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“Would you rather I be a brunette?" "My dress! Do you like it? I don't know, it's just a shock to see you dressed." I Married a Witch (1942) Veronica Lake

"I'm so alone, I’m so alone." Kiss Tomorrow Goodbye (1950) Barbara Payton

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Dorothy Stratten (Dead Blondes Episode 13) by Karina Longworth

Listen, download this episode, or find on iTunes.

 

Our Dead Blondes season concludes with the story of Dorothy Stratten. Coaxed into nude modeling by Paul Snider, her sleazy boyfriend-turned-husband, 18 year-old Stratten was seized on by Playboy as the heir apparent to Marilyn Monroe. She ascended to the top of the Playboy firmament quickly, and just after Hugh Hefner decided to make her Playmate of the Year, she met filmmaker Peter Bogdanovich, who fell in love with her and rewrote his upcoming film, They All Laughed, to give Dorothy a star-making role. After filming They All Laughed Dorothy planned to leave Snider and Playboy for life with Bogdanovich -- but her husband had other ideas. 

 

Sources:

The documentary mentioned at the end of this episode is One Day Since Yesterday, directed by Bill Teck. The link above goes to the DVD on Amazon, but it's also available on Netflix and iTunes.

While I was doing the research for this episode, I was able to view many of the images of Dorothy that appeared in Playboy via a tumblr that has since been taken down. Many of these images are still viewable via Pinterest

Other sources:

"The Passions of Peter Bogdanovich", People, January 23, 1989

"The Death of a Playmate", Village Voice, November 5, 1980

"Hugh Hefner: Blows Against The Empire," Rolling Stone, March 27, 1986

"Peter Bogdanovich Doesn't Live Here Anymore," LA Weekly, March 27, 2002

SLIPPERY AS THE DICKENS: PETER BOGDANOVICH ON "THEY ALL LAUGHED", RogerEbert.com

"Behind the Scenes of the Last Picture Show," Entertainment Weekly, September 21, 1990

"Out to Lunch With Peter Bogdanovich," Vanity Fair, March 2014

"Director Bogdanovich Declares Bankruptcy" Los Angeles Times, June 4, 1997

"Peter Bogdanovich's Star Crossed Days," Washington Post, September 25, 1984

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Barbara Payton (Dead Blondes Episode 10) by Karina Longworth

Listen, download this episode, or find on iTunes.

In our Joan Crawford series, we talked about Barbara Payton as the young, troubled third wife of Crawford’s ex Franchot Tone, whose inability to choose between Tone and another actor brought all three of them down into tabloid Hell. Today, we revisit Payton’s story, and expand it, to explore her rise to quasi-fame, and the slippery slope that reduced her from “most likely to succeed” to informal prostitution, to formal prostitution, and finally to a way-too-early grave.

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Barbara Payton entering California Hospital to see Franchot Tone after his fight with Tom Neal, 1951, Photo Courtesy of Los Angeles Herald Examiner Collection/Los Angeles Public Library

Barbara Payton entering California Hospital to see Franchot Tone after his fight with Tom Neal, 1951, Photo Courtesy of Los Angeles Herald Examiner Collection/Los Angeles Public Library

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Show notes:

I wrote our first episode on Barbara Payton, during the Joan Crawford series, while I was living in London, and I couldn’t get my hands on an actual copy of I Am Not Ashamed, Payton’s ghostwritten autobiography. Shortly after I returned to Los Angeles, I found a copy at Larry Edmunds Bookshop on Hollywood Boulevard -- apparently it was re-released, in the US at least, in paperback shortly before I made the original episode. So though this was originally intended to be a re-run, this episode is now more new than old.

Sources:

I Am Not Ashamed by Barbara Payton

Kiss Tomorrow Goodbye by John O’Dowd

Notes From the Unashamed by Kim Morgan, Sunset Gun 

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