French New Wave

Jean and Jane in Paris (Jean and Jane Episode 3) by Karina Longworth

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Listen, download this episode, or find on iTunes.

With her Hollywood career already something of a disappointment, Jean Seberg took a chance on a French film critic turned first-time director who wanted her to play an amoral American in an experimental movie without a script. The result was Breathless, the catalyzing hit of the French New Wave and the movie that would make Jean Seberg an icon. Soon thereafter, Jane Fonda got her own invitation to come make a movie in Paris, where she’d soon fall in love with Roger Vadim, the man who discovered Brigitte Bardot. Jane Fonda would become Vadim’s new creative muse, as well as his third wife.

Jean Seberg with first husband François Moreuil in Paris, 1959, Photo by Mark Shaw

Jean Seberg with first husband François Moreuil in Paris, 1959, Photo by Mark Shaw

Jane Fonda and Roger Vadim at ther wedding in Las Vegas, 1965, Photo by Dennis Hopper

Jane Fonda and Roger Vadim at ther wedding in Las Vegas, 1965, Photo by Dennis Hopper

SHOW NOTES:  

Sources:

Jane Fonda: The Private Life of a Public Woman by Patricia Bosworth

My Life So Far by Jane Fonda

Played Out: The Jean Seberg Story by David Richards

Everything Is Cinema: The Working Life of Jean-Luc Godard by Richard Brody

Laid Bare: A Memoir of Wrecked Lives and the Hollywood Death Trip by John Gilmore

Jean Seberg interview with Mike Wallace

Music:

All of the music used in this episode, with the exception of the intro and outro, is from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. Outro song: “Paris” by Lana Del Ray. Excerpts from the following songs were used throughout the episode: “Meet Me In Queens 2” by Örjan Karlsson, “Surfing Ghouls” by Håkan Eriksson, “Song For Johanna” by Franz Gordon, “Latin Quarters Jazz Band 2” by Magnus Ringblom, “Past Closing Time 3” by Magnus Ringblom, “Widows Dance” by Håkan Eriksson, “Ambient Acoustic Guitar 18” by Anders Ekengren, “Cinema Francais 4” by Magnus Ringblom, “Modern Vintage Gypsy 2” by Gavin Luke, “Modern Vintage Gypsy 3” by Gavin Luke, “Musique A La Carte 05” by John Åhlin, “Nightclub Standoff” by Håkan Eriksson, “Meet Me In Queens 3” by Örjan Karlsson, “Easy Lynch Guitars 2” by Johan Hynynen.

Sponsors:

This episode is sponsored by The Great Courses Plus

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Jean-Luc Godard, Raoul Cotard, Jean Seberg and Jean-Paul Belmondo on the set of  Breathless , 1960, Photo by Raymond Cauchetier

Jean-Luc Godard, Raoul Cotard, Jean Seberg and Jean-Paul Belmondo on the set of Breathless, 1960, Photo by Raymond Cauchetier

Jane Fonda and Alain Delon in  Joy House , 1964

Jane Fonda and Alain Delon in Joy House, 1964

Hollywood Royalty/Middle-American Martyr (Jean and Jane, Episode 1) by Karina Longworth

Listen, download this episode, or find on iTunes.

Introducing our new series, “Jean and Jane,” exploring the parallel lives of Jane Fonda and Jean Seberg, two white American actresses who found great success (and husbands) in France before boldly and controversially lending their celebrity to causes like civil rights and the anti-war movement. Fonda and Seberg were both tracked by the FBI during the Nixon administration, which considered both actresses to be threats to national security. But for all their similarities, Jane and Jean would end up on different paths. They also started from very different circumstances. Today we’ll track Jane’s difficult upbringing with her famous but absentee father and troubled mother, and the path of privilege -- and tragedy -- that led her to the Actor’s Studio. Meanwhile, in small town, church-dominated Iowa, Jean Seberg announced herself as the town rebel at age 14 when she joined the NAACP. Three years later, she was plucked out of obscurity by a mad genius movie director to star in one of the highest-profile Hollywood movies of the late-50s.

Jean Seberg at her screen test for Saint Joan, 1956, Photo Bob Willoughby

Jean Seberg at her screen test for Saint Joan, 1956, Photo Bob Willoughby

The Fonda family, 1949, Photo by Genevieve Naylor

The Fonda family, 1949, Photo by Genevieve Naylor

SHOW NOTES:  

Sources:

Jane Fonda: The Private Life of a Public Woman by Patricia Bosworth

My Life So Far by Jane Fonda

The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

Played Out: The Jean Seberg Story by David Richards

The anti-Jane Fonda video mentioned in this episode. 

Music:

All of the music used in this episode, with the exception of the intro and outro, is from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca. Outro song: "Modern Girl" by Sleater-Kinney. Excerpts from the following songs were used throughout the episode: "A Trace of Light 2" by Magnus Ringblom, "Memories of November" by Martin Landh, "Widows Dance" by Hakan Eriksson, "Musique A La Carte" by John Ahlin, "Mediterranean Mix 10" by Stefan Netsman, "Upbeat Flatfeet 2" by Martin Gauffin, "Les Beaux Jours" 3 by Martin Gauffin, "Ambient Acoustic Guitar 18" by Anders Ekengren, "Ripples" by Peter Sandberg, "By the Lake in the Evening" by Franz Gordon, "Gypsy Guitar Swing" by Martin Carlsberg,  "Discretion" by Peter Sandberg.

Sponsors:

This episode is sponsored by Winc, Squarespace and Audible.

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Jane Fonda on the Cover of VOGUE, July 1959

Jane Fonda on the Cover of VOGUE, July 1959