Star Wars Episode XI: Charlie Chaplin by Karina Longworth


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The most successful film of Charlie Chaplin’s career was also the most controversial: in The Great Dictator, Chaplin viciously satirized Hitler before the US entered World War II, and the comedy helped rally a previously war-shy American public. We’ll explore the connections between Chaplin and Adolf Hitler, and explain why most of Hollywood tried to stop The Great Dictator from being made. Then we’ll switch gears to discuss how Chapin’s wartime activism and his troubled personal life collided to benefit J. Edgar Hoover, who spent thirty years trying to prove that Chaplin was dangerously un-American. 

Show Notes:

The impetus for this episode was a documentary produced and aired by TCM, which I first saw about a year ago, called The Tramp and the Dictator. The film was co-directed by Michael Kloft and the great silent film historian Kevin Brownlow (if you haven't seen his series Hollywood, on the silent era, find it and watch it post haste), and it tells the story of how and why Chaplin made The Great Dictator, using previously unseen material shot on the set of the film. I thought it would be interesting to contrast this aspect of Chaplin's war experience with the section of City of Nets in which Otto Friedrich describes Chaplin's personal life and the scandals it caused during the war years as a kind of prelude to the legal issues that would get him thrown out of the US a few years later. 


Additional Bibliography:

Chaplin's War Trilogy: An Evolving Lens in Three Dark Comedies, 1918-1947 by Wes D. Gehring

Hollywood Left and Right: How Movie Stars Shaped American Politics  By Steven J. Ross

CharlieChaplin: Jewish or Goyish?

Audio excerpts from The Tramp and The Dictator and The Great Dictator via YouTube


Preludes for Piano #2 by George Gershwin

Wonder Cycle by Chris Zabriskie

Benbient by Canton

Exlibris by Kosta T

Gagool by Kevin MacLeod

Devastation and Revenge by Kevin MacLeod

I Need to Start Writing Things Down by Chris Zabriskie

Out of the Skies, Under the Earth by Chris Zabriskie

Ghost Dance by Kevin MacLeod

I Know a Guy by Kevin MacLeod

Robocop by Kanye West

YMRT #27: Star Wars Episode I: Bette Davis and the Hollywood Canteen by Karina Longworth

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Today we’re launching a new series for the new year, Star Wars, which will focus on movie stars and their lives and careers during times of war. Our first eight episodes will explore stories of women during World War II, and we’ll start with the woman who dominated all aspects of Hollywood, including its war effort, in the late 1930s-early 1940s: BetteDavis.

This is the story of how BetteDavis evolved from a wannabe starlet who was constantly told she was too ugly for movies, to the most powerful woman in Hollywood, by playing heroines that had never been seen on screen before — to borrow a term from Davis herself, sympathetic “bitches.” After Pearl Harbor, the tenacious Bette became the figurehead of the Hollywood Canteen, a nightclub for servicemen staffed by stars, which was the locus of the industry’s most visible support of the troops on the home front.

The Hollywood Canteen was a catalyst for propaganda in more ways than one, aims Hollywood furthered by telling the story of the Hollywood Canteen in a movie called, um, Hollywood Canteen, starring Davis, John Garfield, Barbara Stanwyck, Peter Lorre and other celebrities as “themselves.” The movie and most press accounts of the Canteen portray it as a miraculous force for good in the world, which it probably was, but that narrative leaves out a lot, including illicit affairs, a murder, and an FBI investigation whose findings would have an impact on the blacklist of the following decade. 

Show Notes

This episode was a hell of a thing to research. BetteDavis published two autobiographies and both are very, very far from being impartial, but I consulted The Lonely Life a bit, as well as the authorized biography The Girl Who Walks Home Alone by Charlotte Chandler. I’d also recommend the Mysteries and Scandals episode on Davis, mostly to marvel at all of the ways in which A.J. Benza manages to call her a bitch without actually using the word “bitch.” Mark Harris’ Five Came Back was useful, particularly in its shading of the relationship between Davis and William Wyler.

More difficult was nailing down the story of the Hollywood Canteen. Hollywood Canteen: Where the Greatest Generation Danced With the Most Beautiful Girls in The World is as prosaic as its title; at least Hollywood’s propaganda about the Canteen, including the Delmer Daves movie Hollywood Canteen (excerpted in the episode) makes the spin fun. Much, much better is Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen. by Sherrie Tucker — a fascinating, beautifully written and researched study of the Canteen which goes into deep consideration of the social/racial/class/political conflicts enmeshed into this supposedly squeaky-clean nightclub which has become an icon of the supposed uncomplicated patriotism of the generation who fought WWII.


Dance of the Stargazer performed by the US Army Blues Band

Rite of Passage by Kevin MacLeod

Lonely Town performed by Blossom Dearie

Ghost Dance performed by Kevin MacLeod

Au coin de la rue by Marco Raaphorst

I Knew a Guy by Kevin MacLeod

The Insider Theme by The Insider

5:00 AM by Peter Rudenko

Will be war soon? by Kosta T

Off to Osake by Kevin MacLeod

Balcarabic Chicken by Quantum Jazz

Hi Ho Trailus Bootwhip by Louis Prima and His Orchestra

Divider by Chris Zabriskie

My Country by Tune-Yards