manson murders

Charles Manson's Hollywood #11: Death Valley '69 by Karina Longworth

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After the murders, Manson moved his family to the depths of the California desert. There, even before they were finally apprehended by the law, their utopia started to fall apart. Hollywood was in the process of being changed by Dennis Hopper's Easy Rider, a film shot partially in the same desert where Manson was now hiding. The Family and their flight to Death Valley -- and the impossible dream of the 60s revolution in general -- was soon thereafter unwittingly reflected in Italian filmmaker Michelangelo Antonioni's attempt to make a Hollywood studio film, Zabriskie Point, starring Hopper's future wife. 

Show Notes:

Special thanks to this week's special guests: Nate DiMeo reprised his role as Charles Manson, and we were lucky to have Max Linsky, of Longform.org and the Longform Podcast, playing Mel Lyman. 

The base list of sources for this series can be found here. The second half of this episode, about Mel Lyman and Zabriskie Point, is indebted to a whole different set of sources:

The Lyman Family's Holy Siege of America by David Felton, Rolling Stone, December 23, 1971

The Sorry Life and Death of Mark Frechette by Dave O'Brian, Rolling Stone, November 6, 1975

Once-Notorious '60s Commune Evolves Into Respectability: After 19 Years the Lyman Family Prospers as Craftsmen and Farmers.LA Times, August 4, 1985

Return to Zabriskie Point: The Mark Frechette and Daria Halprin Story, by Sam Tweedle, Confessions of a Pop Culture Addict

See also: the "four obscene words" editorial in Avatar; and the trailer for Zabriskie Point.

This episode is titled after the Sonic Youth song "Death Valley '69," which, as Kim Gordon explains in her memoir Girl in a Band, was partially inspired by the Manson family. I included a few other Sonic Youth songs just for their vibe; Gordon tells stories about many of them in her book. I particularly like the story about how "Halloween" was inspired by Henry Rollins.

The final song in this episode before the end credits was composed and submitted by YMRT listener Blake Godfrey. If you'd like to submit your music for consideration for use in a future episode, the best way to do that is by sending Karina a link to your stuff on Soundcloud or whatever streaming thing you prefer. 

Episode breakdown:

Intro: "Album Tag Song" by Dennis Wilson; "Modern Heavy Rock Guitar Top Line" royalty free loop

Woodstock: "Mellow Music Theme Instrumental" royalty free track

Spahn Ranch raided by Straight Satans and police: "Southern Rhythm Guitar" GarageBand loop

Shorty Shea's murder: "Psychedelic 6 Guitars Soundscape Mystery" royalty free track

Barker Ranch, Easy Rider connection: "Dark Melodic Metal Guitar Loop 1 Long" royalty free loop; "Death Valley '69" by Sonic Youth

Linda Kasabian leaves the Manson Family: "70s Acid Trip 2 Guitar Loop" royalty free loop

The Manson Family in the desert, preparing for Helter Skelter and searching for the Bottomless Pit; Juan Flynn; Danny DeCarlo's defection; Barbara Hoyt and Kitty Lutesinger want to leave; Barbara and Sherrie leave; Sherrie Doe's body is found: "Halloween" by Sonic Youth

Manson vs. Scientologist prospector Crockett; Juan Flynn's defection: "Stranger on a Train": by Sonic Youth

Hard times in the desert force Manson to beg from Gregg Jakobson; Charlie cracks the whip; the earth mover fire;: "Because Coda" by Sonic Youth

Rangers question Crockett about Manson Family; Crockett freaks out; Rangers find Tex Watson's Toyota: "Halloween" by Sonic Youth

Charlie tells Tex to shoot the Rangers; Tex defects; Kitty and Stephanie escape; the first raid on Barker Ranch; "Devastation and Revenge" by Kevin MacLeod

Charlie thinks he's escaped arrest; second raid on Barker Ranch; cops find Manson hiding in a cabinet; Charlie tries to talk his way out of arrest by invoking Helter Skelter; Kitty tells the police everything she knows; Susan talks to investigators about Gary Hinman; Susan spills to her jailhouse roommates; Virginia and Ronnie decide to snitch; Danny DeCarlo talks; LAPD announces they've cracked the Tate case: "Remembering Past Everything" by Pipe Choir

Zabriskie Point plot connections to the Manson Family: "Stormy Moods Orchestra" by Apache Tomcat

Zabriskie Point as doomed production; casting of Daria Halprin and Mark Frechette; Mel Lyman, the Fort Hill Community; Avatar Magazine and first amendment battles: "Railroad's Whiskey Co" by Jahzzar

Daria Halprin marries Dennis Hopper; Mark Frechette robs a bank; Frechette dies in prison; similarities between Lyman and Manson; future of Fort Hill; Manson's letter to Lyman"A Memory Starts" by Blake Godfrey

End Credits: "Pop Rock Guitar Rhythm Loop" royalty free loop

Outro: "Expressway To Yr Skull" by Sonic Youth

Charles Manson's Hollywood #9: August 8-10, 1969 by Karina Longworth

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Over the course of a single weekend, half a dozen hippies massacred seven people. This episode includes disturbing details about very violent crimes. 

Show notes:

This episode is graphic and disturbing! Please don't listen to it if you know you can't handle it, and don't let children anywhere near it unless you are trying to teach them a lesson about pretty much the most horrible things you can imagine. 

This episode was primarily based on Manson: His Life and Times by Jeff Guinn; Sharon Tate and the Manson Murders by Greg King; Roman by Roman Polanski; and The White Album by Joan Didion. 

The sound excerpt from Didion's "The White Album" comes from the audiobook read by Susan Varon.

Special guests! Ram Bergman returned as Roman Polanski; Nate DiMeo returned as Charles Manson; and we are pleased to welcome Wiley Wiggins (Dazed and Confused, Computer Chess) as Tex Watson. 

The murders of Rosemary and Leno LaBianca; misspelling of Helter Skelter: Charlie takes Linda, Susan and Clem to the beach, tries to get them to do another murder; LAPD thinks Tate murder was drug related, doesn't believe the LaBianca, Tate and Hinman murders are connected; Manson's attempts to implicate black men fail: "Undercover Vampire Policeman" by Chris Zabriskie

End credits: "Pop Rock Guitar Rhythm" royalty free loop

Outro: "Oh Comely" by Neutral Milk Hotel

Charles Manson's Hollywood, Part 5: Doris Day and Terry Melcher by Karina Longworth

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Charles Manson became convinced his best chance at rock stardom was impressing Terry Melcher, a record executive who had made stars out of The Byrds, and who was also the son of one of old Hollywood's most wholesome, carefree Establishment stars, Doris Day. Terry and his girlfriend, Candice Bergen, had long lived at 10050 Cielo Drive, and sublet the house to Roman Polanski and Sharon Tate months before the murders.

Show Notes:

The base list of sources for this series can be found here

If there is a good Doris Day biography, other than her autobiography (which I have on order, but it hadn’t arrived by the time I had to make this episode), I couldn’t find it. I consulted two books,Considering Doris Day by Tom Santopietro and Doris Day: A Reluctant Star, both of which I found to have problems. Day deserves a serious book; I hope she someday gets one.

The other woman at the center of this episode, Candice Bergen, has written two autobiographies. I based a large portion of this episode on her first memoir, Knock Wood, published in 1984. 

Other sources for this episode:

“1969: Film star stabbed in ‘ritualistic’ killings” http://news.bbc.co.uk/onthisday/hi/dates/stories/august/9/newsid_2998000/2998214.stm

Sly Stone interview on Doris Dayhttp://www.laweekly.com/music/sly-stone-interviewed-on-kcrw-discusses-doris-day-terry-melcher-charles-manson-and-que-sera-sera-2411278

Episode Breakdown:

Intro: “Album Tag Song” by Dennis Wilson/Modern Heavy Rock Guitar Top Line royalty free loop/Delay Guitar royalty free loop 

The Golden Penetrators: Mouse Trap by Apache Tomcat

Doris Day’s marriage to Al Jourdan/parallels to New York New York/Jourdan’s abuse/Doris Day’s first screen test for Michael Curtiz/Day’s rise to fame and “perpetual virgin” persona/Pillow Talk: Easy Listening in Jazz royalty free track

Terry Melcher’s early life as surf rocker/selling song titles to Bobby Darin/Recording The Byrds: “Somewhere in My Mind” by Apache Tomcat

Terry Melcher’s relationship with Candice Bergen/Bergen as celebutante, second-rate Julie Christie and bridge between Establishment jet set and hippies: Also “Somewhere in My Mind” by Apache Tomcat, but a different part of the song  

Terry Melcher and Candice Bergen as rich hippies/Melcher’s first visit to Spahn Ranch/Melcher sleeping with Manson girl/Manson as chameleon: “If I Can’t Dance It’s Not My Revolution” by Quantum Jazz

Terry wouldn’t let Manson in his house: “For Better or Worse” by Kai Engel

Sly Stone story:  “Que Sera Sera” recorded by Sly and the Family Stone

Marty Melcher dies, leaving Doris Day destitute: “Divider” by Chris Zabriskie

Terry Melcher moves out of Cielo Drive, goes off the radar: “Crazy Reggae FX Guitar” royalty free loop

Creepy-crawls(i.e.: Manson family home invasions): “Gagool” by Kevin MacLeod

Helter Skelter put on hold to prepare for Terry Melcher’s visit to Spahn Ranch: “Au coin de la rue” by Marco Raaphorst

How dare Terry Melcher stand Charlie Manson up: “Devastation and Revenge” by Kevin MacLeod

Charles Manson meets Sharon Tate/Terry finally auditions Charlie: "Blue Feather" by Kevin MacLeod

Manson wilully misinterprets Melcher’s promises: "Mellow Music Theme Instrumental" (royalty free)

Mike Deasy’s bad trip to Spahn Ranch/Randy Starr/Charlie becomes angry all the time: "Sci Fi Movie Sound Effects" royalty free loop

Manson gets dark, creepy crawls turn into robberies, Terry Melcher gets paranoid/Melcher’s testimony: "Sinister Mood Guitar Effects" royalty free loop

The Ballad of Easy Rider and Byrdmaniax/Melcher’s later life: “Decora” by Yo La Tengo

Outro: Pop Rock Rhythm royalty free loop; “Dig It” by The Beatles

Charles Manson’s Hollywood, Part 1: What We Talk About When We Talk About The Manson Murders by Karina Longworth

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This season, You Must Remember This will explore the murders committed in the summer of 1969 by followers of Charles Manson, and the Hollywood music and movie scene surrounding the killings. Throughout the series, we’ll learn how a single sociopath’s thwarted dreams of fame and fortune led to the gruesome events which became the symbolic “end of the sixties.” Future episodes will explore the various celebrities, musicians, movie stars and filmmakers (including Roman Polanski, Sharon Tate, The Beach Boys, Dennis Hopper, Doris Day and more) whose paths crossed with Manson’s in meaningful ways, both leading up to the murders and in their aftermath. Today, we’ll talk about what was going on in the show business capital that made Manson seem like a relatively normal guy. Then we'll lay out the basic facts of who was killed, and how, in order to begin to explain how these unthinkable crimes fit in to the tapestry of one of the most tumultuous times in Hollywood history. 

ShowNotes:

Welcome to our new season! This series will run a total of 11 weeks (I think; I’m still researching and writing) and will touch on topics as disparate as Doris Day and Michaelangelo Antonioni, Pet Sounds and Pink Flamingos. I became interested in these stories about a year ago, when I somehow found myself reading the obituary of Terry Melcher. Melcher had a really full Hollywood life, which we’ll talk about in one of these episodes, but the headline is that he was born to a teenage Doris Day, and 27 years later he became convinced he was the person the Manson family were really looking for the night they massacred everyone at Sharon Tate’s house. I knew Day and Melcher’s stories were enough to fill at least one episode; as I began researching Melcher’s connection to Manson, many, many other Hollywood stories began to emerge. I realized the story of Charles Manson and the murders he is responsible is really (or, also) the story of Hollywood and its mythology draining of hope, and I wanted to tell that story.

This should probably be obvious given the subject matter, but every single episode of this season is going to contain content and language that will probably be offensive to someone. Apologies in advance.

Bibliography:

The foundational text of this series is Jeff Guinn’s recent biography Manson: The Life and Times of Charles Manson, which I read in long stretches late at night when I was supposed to be on vacation. I couldn't put it down to go to sleep, partially because I would have nightmares every time I tried. 

Here are some other books that I read or re-read to prepare myself generally for this season. I’ll make note of additional/specific sources as we go along:

Manson: The Unholy Trail of Charlie and the Family by John Gilmore (This book was previously published as The Garbage People, a much better title, I think) 

Waiting For the Sun: A Rock n’ Roll History of Los Angeles by Barney Hoskyns

Easy Riders, Raging Bulls by Peter Biskind

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood by Mark Harris

Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream by Dave McGowan

Shadows and Light: Journeys with Outlaws in Revolutionary Hollywood by Gary Kent

Discography:

The Last Ones by Jahzzar

Stormy Moods Orchestra by Apache Tomcat

Scubba Adventure by Apache Tomcat

Alabama Song by The Doors

Alabama Song by Bertolt Brecht

Beware of the Fall by Apache Tomkat

Au coin de la rue by Marco Raaphorst

Private Hurricane (Instrumental) by Josh Woodward

Divider by Chris Zabriskie

Devastation and Revenge by Kevin MacLeod

Helter Skelter by The Beatles