MGM Stories Part Four: John Gilbert and Greta Garbo

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Rising romantic lead John Gilbert signed with MGM in 1924 and the next year he starred in King Vidor’s The Big Parade, the studio’s biggest hit of the silent era. That same year, Louis B. Mayer brought his new discovery to Hollywood: an enigmatic Swedish actress named Greta Garbo. Garbo and Gilbert starred together in the romantic melodrama Flesh and the Devil, and began a relationship in real-life, which was eagerly exploited by the still-fledgling Hollywood publicity machine. Gilbert’s career suffered from his contentious relationship with Mayer, and his increasing alcoholism, while Garbo’s star continued to rise. In 1933, Garbo made it a condition of her MGM contract extension that the studio cast Gilbert as her love interest in Queen Christina. Within three years, Gilbert was dead. Within ten years, Garbo’s career had taken a turn, too

Special thanks to special guest star Craig Mazin, reprising his role as Louis B. Mayer.

This episode was edited by Henry Molofsky.

This episode included a clip from the John Gilbert film His Glorious Night, pulled from Kevin Brownlow's incredible silent era documentary Hollywood. Hollywood is watchable in several installments on YouTube.

We are proud to welcome our new sponsor, Audible.com! Get a free audiobook and a 30-day trial at Audible.com/remember

Sources:

Basinger, Jeanine. Silent Stars. Knopf Doubleday Publishing Group. Kindle Edition. 2012

Bret, David. Greta Garbo: The Divine Star. London: Robson Press, 2012. 

Conway, Michael; McGregor, Dion & Ricci, Mark. The Complete Films of Greta Garbo. New York: Carol Publishing Group, 1991.

Eyman, Scott Lion of Hollywood: The Life and Legend of Louis B. Mayer . Simon & Schuster. Kindle Edition. 2008

Eyman, Scott The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930 Simon & Schuster. Kindle Edition. 1998

Golden, Eve John Gilbert: The Last of the Silent Film Stars (Screen Classics) The University Press of Kentucky. Kindle Edition. 2013

Krützen, Michaela. The Most Beautiful Woman on the Screen: The Fabrication of the Star Greta Garbo. Berlin: Peter Lang, 1992.

"Garbo's Last Days" by Michael Gross. New York Magazine, May 21, 1990

MGM Stories Part Three: Buster Keaton's Biggest Mistake

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In 1928, silent comedy star Buster Keaton made what he would later call “the worst mistake of my career”: against the advice of fellow silent comedy auteurs like Charlie Chaplin, he gave up his independent production shingle and signed a contract with MGM. A vaudevillian who got his start working with Roscoe “Fatty” Arbuckle, by the late 1920s Keaton had established himself as a solo writer, director and star who was known for doing his own spectacular but reckless stunts. Keaton joined MGM with a promise from his friend Joe Schenck that nothing would change, only to find himself in his new situation demoted from artistic boss to employee of a corporation interested in protecting its investment above all. The lack of agency and ability to personally control the quality of his own work within the confines of Mayer’s studio drove Keaton to alcoholism, which further doomed his tenure at MGM. Keaton’s experience is perhaps the first major example of an indie filmmaker “selling out” to a big studio, only to be swallowed up by the system.

This episode was edited by Henry Molofsky.

Sources for this episode: 

My Wonderful World of Slapstick by Buster Keaton and Charles Samuels

Buster Keaton Oral History, Columbia Rare Book and Manuscript Library

Lion of Hollywood: The Life and Legend of Louis B. Mayer by Scott Eyman

The Fall of Buster Keaton by James L. Neibaur

"Movie Classic" article about Keaton's "kidnapping" scandal

This episode includes clips of Keaton speaking, found at the following two sources:

So Funny it Hurt: Buster Keaton & MGM, a documentary by Kevin Brownlow and Christopher Bird.

Keaton in conversation with Studs Turkel, September 1960. 

We also borrowed this clip from Sunset Boulevard:

MGM Stories Part Two: Marion Davies, William Randolph Hearst and Citizen Kane

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Marion Davies is enshrined in memory as the gorgeous but questionably talented mistress of publishing magnate William Randolph Hearst -- thanks in part to the depiction of a Davies-esque character in Orson Welles' Citizen Kane. But Davies’ involvement with the much older Hearst both ensured she would have a movie career, and perhaps doomed Davies to ridicule and limited stardom. This episode will explore how Davies and Hearst hooked up, the mutually beneficial working relationship between Hearst and Louis B. Mayer, the souring of that relationship over MGM’s (mis)use of Davies and Mayer’s effort to block the release of Kaneon Hearst’s behalf

Special thanks to Larry Herold, who reprised his role as Orson Welles. This episode was edited by Henry Molofsky. Our research intern is Allison Gemmill. 

Sources for this episode:

Lion of Hollywood: The Life and Legend of Louis B. Mayer by Scott Eyman

The Speed of Sound: Hollywood and the Talkie Revolution by Scott Eyman

The Times We Had: Life with William Randolph Hearst by Marion Davies

Marion Davies by Fred Guilles

Hearst Over Hollywood: Power, Passion and Propaganda in the Movies by Louis Pizzitola

Silent Stars by Jeanine Basinger

This is Orson Welles by Peter Bogdanovich

MGM Stories Part One - Louis B. Mayer vs. Irving Thalberg (YMRT #56)

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Welcome to the fifth season of You Must Remember This! This season, called MGM Stories, is going to tell 15 tales about people who worked at the same movie studio over the course of five decades and counter-culture-hastened decline.

Established in 1924, MGM was the product of a merger of three early Hollywood entities, but the only person working there who got to have his name in the title was studio chief Louis B. Mayer. For the first dozen years of its existence, Mayer’s influence over the company would be at least matched by that of producer Irving Thalberg, who was perceived as the creative genius to Mayer’s bureaucrat. This episode will trace the rise of MGM through the 1920s and early-mid 30s, covering Mayer’s long-evolving working relationship with Thalberg, the creation of the MGM “star factory” identity and unique power within the community of Hollywood, and the in-fighting which would end with Mayer poised to seize his crown as the most powerful man in Hollywood.

Special thanks to Dan Saraceni and Liz Lui, who contributed ideas that inspired this episode in our forum, and Craig Mazin (screenwriter and co-host of the Scriptnotes podcast), who guest stars as Louis B. Mayer. This episode was edited by Henry Molofsky, and our research intern is Allison Gemmill. The outro music to this ep is "We're a Happy Family" by The Ramones.

As you may have noticed, the podcast has a new distribution partner, Panoply. You can find the whole family of Panoply podcasts at itunes.com/panoply. If you subscribe to the show on iTunes, it should feel like nothing has changed, but if you have any problem finding or listening to episodes, please contact me using the link at the top of the page. 

This season, as promised, was inspired by suggestions made by our listeners on our Forum. As the season continues, we'll be contacting listeners whose ideas influenced specific episodes. This season, which will last until the end of 2015, is fully scheduled, but you can continue to use the Forum to suggest ideas for future seasons, and also to discuss this current season or past episodes with other listeners. 

The primary sources for this episode were Lion of Hollywood by Scott Eyman, The Star Machine by Jeanine Basinger, and a number of oral histories accessed at Columbia University's Rare Book and Manuscript archive, including the recollections of Dore Schary, Anita Loos, and Sheilah Graham.

If you're new to our show, check out our four previous seasons -- including the series Star Wars and Charles Manson's Hollywood - on iTunes.

Charles Manson's Hollywood, Part 12: The Manson Family on Trial

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The trials of the Manson family became a kind of public theater which a number of current and future filmmakers found themselves caught up in. Joan Didion bought a dress for a Manson girl to wear to court, Dennis Hopper visited Manson in prison, and a young John Waters attended the trial and took inspiration for his legendary film, Pink Flamingos. 

Show Notes:

Welcome to the final episode of our ongoing series, Charles Manson's Hollywood. As we speak, we are working on putting together our next, non-murdery season. It will begin some time in September -- follow us on Twitter for updates. 

This episode featured contributions from Moises Chullian, who played Richard Nixon; and, of course Nate DiMeo, concluding his run as Charles Manson. Special thanks to all of our guests on this series, including Wiley Wiggins, Max Linsky, TS Faull, Sam Zimmerman, Noah Segan and Ram Bergman.

Other sources for this episode include:

Charles Manson's trial testimony

Manson family ties

Charles Manson's fiancee wanted to marry him for his corpse

The episode also includes a clip from the Dennis Hopper film American Dreamer, which you can watch on YouTube, and one from Jann Wenner's December 1970 interview with John Lennon, which Rolling Stone has made available as a podcast.

Charles Manson's Hollywood #11: Death Valley '69

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After the murders, Manson moved his family to the depths of the California desert. There, even before they were finally apprehended by the law, their utopia started to fall apart. Hollywood was in the process of being changed by Dennis Hopper's Easy Rider, a film shot partially in the same desert where Manson was now hiding. The Family and their flight to Death Valley -- and the impossible dream of the 60s revolution in general -- was soon thereafter unwittingly reflected in Italian filmmaker Michelangelo Antonioni's attempt to make a Hollywood studio film, Zabriskie Point, starring Hopper's future wife. 

Show Notes:

Special thanks to this week's special guests: Nate DiMeo reprised his role as Charles Manson, and we were lucky to have Max Linsky, of Longform.org and the Longform Podcast, playing Mel Lyman. 

The base list of sources for this series can be found here. The second half of this episode, about Mel Lyman and Zabriskie Point, is indebted to a whole different set of sources:

The Lyman Family's Holy Siege of America by David Felton, Rolling Stone, December 23, 1971

The Sorry Life and Death of Mark Frechette by Dave O'Brian, Rolling Stone, November 6, 1975

Once-Notorious '60s Commune Evolves Into Respectability: After 19 Years the Lyman Family Prospers as Craftsmen and Farmers.LA Times, August 4, 1985

Return to Zabriskie Point: The Mark Frechette and Daria Halprin Story, by Sam Tweedle, Confessions of a Pop Culture Addict

See also: the "four obscene words" editorial in Avatar; and the trailer for Zabriskie Point.

This episode is titled after the Sonic Youth song "Death Valley '69," which, as Kim Gordon explains in her memoir Girl in a Band, was partially inspired by the Manson family. I included a few other Sonic Youth songs just for their vibe; Gordon tells stories about many of them in her book. I particularly like the story about how "Halloween" was inspired by Henry Rollins.

The final song in this episode before the end credits was composed and submitted by YMRT listener Blake Godfrey. If you'd like to submit your music for consideration for use in a future episode, the best way to do that is by sending Karina a link to your stuff on Soundcloud or whatever streaming thing you prefer. 

Episode breakdown:

Intro: "Album Tag Song" by Dennis Wilson; "Modern Heavy Rock Guitar Top Line" royalty free loop

Woodstock: "Mellow Music Theme Instrumental" royalty free track

Spahn Ranch raided by Straight Satans and police: "Southern Rhythm Guitar" GarageBand loop

Shorty Shea's murder: "Psychedelic 6 Guitars Soundscape Mystery" royalty free track

Barker Ranch, Easy Rider connection: "Dark Melodic Metal Guitar Loop 1 Long" royalty free loop; "Death Valley '69" by Sonic Youth

Linda Kasabian leaves the Manson Family: "70s Acid Trip 2 Guitar Loop" royalty free loop

The Manson Family in the desert, preparing for Helter Skelter and searching for the Bottomless Pit; Juan Flynn; Danny DeCarlo's defection; Barbara Hoyt and Kitty Lutesinger want to leave; Barbara and Sherrie leave; Sherrie Doe's body is found: "Halloween" by Sonic Youth

Manson vs. Scientologist prospector Crockett; Juan Flynn's defection: "Stranger on a Train": by Sonic Youth

Hard times in the desert force Manson to beg from Gregg Jakobson; Charlie cracks the whip; the earth mover fire;: "Because Coda" by Sonic Youth

Rangers question Crockett about Manson Family; Crockett freaks out; Rangers find Tex Watson's Toyota: "Halloween" by Sonic Youth

Charlie tells Tex to shoot the Rangers; Tex defects; Kitty and Stephanie escape; the first raid on Barker Ranch; "Devastation and Revenge" by Kevin MacLeod

Charlie thinks he's escaped arrest; second raid on Barker Ranch; cops find Manson hiding in a cabinet; Charlie tries to talk his way out of arrest by invoking Helter Skelter; Kitty tells the police everything she knows; Susan talks to investigators about Gary Hinman; Susan spills to her jailhouse roommates; Virginia and Ronnie decide to snitch; Danny DeCarlo talks; LAPD announces they've cracked the Tate case: "Remembering Past Everything" by Pipe Choir

Zabriskie Point plot connections to the Manson Family: "Stormy Moods Orchestra" by Apache Tomcat

Zabriskie Point as doomed production; casting of Daria Halprin and Mark Frechette; Mel Lyman, the Fort Hill Community; Avatar Magazine and first amendment battles: "Railroad's Whiskey Co" by Jahzzar

Daria Halprin marries Dennis Hopper; Mark Frechette robs a bank; Frechette dies in prison; similarities between Lyman and Manson; future of Fort Hill; Manson's letter to Lyman"A Memory Starts" by Blake Godfrey

End Credits: "Pop Rock Guitar Rhythm Loop" royalty free loop

Outro: "Expressway To Yr Skull" by Sonic Youth

Charles Manson's Hollywood #10: Roman Polanski After Sharon Tate

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Roman Polanski was in London the night his pregnant wife was murdered in their home. He returned to Los Angeles, devastated, to find himself wanted for questioning in a crime which the LAPD, initially, had no idea how to solve. The next decade of Polanski's life would be a rollercoaster, hitting heights like his masterpiece Chinatown, and lows like his alleged rape of a 13 year old girl and subsequent exile from the US.

Show Notes:

Special thanks to Ram Bergman, making his final appearance as Roman Polanski.

The base list of sources for this series can be found here. This episode primarily draws from the books Roman by Roman Polanski, The Kid Stays in the Picture by Robert Evans, and The Girl by Samantha Geimer, as well as Julian Wasser's memories of photographing Polanski at Cielo Drive and several interviewswith Samantha Geimer. 

Episode breakdown:

Intro: "Album Tag Song" by Dennis Wilson; "Modern Heavy Guitar Top Line" royalty free track

Altamont: "Under My Thumb" by The Rolling Stones

Roman Polanski's return to Los Angeles; his temporary home, Julie Andrews' dressing room; the rumors that the murder victims did something to deserve it; Polanski's detective work; Polanski leaves Los Angeles; Polanski hangs out with schoolgirls in Switzerland, justifies his prediliction for teenagers: "Snow Drop" by Kevin MacLeod

Playboy's production of Macbeth; the X-rated What?; Polanski's Roman commune: "OLPC" by Marco Raaphorst

Problems with the screenplay for Chinatown: "Zenda" royalty free track

Polanski's battles with Robert Towne; Chinatown as the ultimate 70s film; Polanski returns to Rome, starts dating Natassja Kinski; edits French Vogue; the trend of sexy photographs of young girls in European fashion magazines; Polanski meets Samantha Geimer: "Stormy Moods Orchestra" by Apache Tomcat

Polanski's first photoshoot with Samantha; Samantha thought of herself as a child who was following directions from an adult who could make her famous: "Family Tree" by Jahzzar

Polanski's second photoshoot with Samantha; differing recollections of conversation about Samantha's sexual experience; Samantha agrees to go to Jack Nicholson's house: "Pretty Mellow Clean Guitar" royalty free loop

Shooting photos at Jack Nicholson's house: "Oxygen Garden" by Chris Zabriskie

What happened after the photoshoot; Roman takes Samantha home and smokes pot with her mom; Polanski is surprised to be arrested for rape; both accuser and accused are tried in the media; Polanski accepts plea deal and then flees the country; Polanski's Tess: Samantha Geimer publicly forgives Polanski; Polanski apologizes to Samantha: "For Better or Worse" by Kai Engel

End Credits: Panorama Synth Pad GarageBand Loop

Outro: "School Girl" by Dennis Wilson

Charles Manson's Hollywood #9: August 8-10, 1969

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Over the course of a single weekend, half a dozen hippies massacred seven people. This episode includes disturbing details about very violent crimes. 

Show notes:

This episode is graphic and disturbing! Please don't listen to it if you know you can't handle it, and don't let children anywhere near it unless you are trying to teach them a lesson about pretty much the most horrible things you can imagine. 

This episode was primarily based on Manson: His Life and Times by Jeff Guinn; Sharon Tate and the Manson Murders by Greg King; Roman by Roman Polanski; and The White Album by Joan Didion. 

The sound excerpt from Didion's "The White Album" comes from the audiobook read by Susan Varon.

Special guests! Ram Bergman returned as Roman Polanski; Nate DiMeo returned as Charles Manson; and we are pleased to welcome Wiley Wiggins (Dazed and Confused, Computer Chess) as Tex Watson. 

The murders of Rosemary and Leno LaBianca; misspelling of Helter Skelter: Charlie takes Linda, Susan and Clem to the beach, tries to get them to do another murder; LAPD thinks Tate murder was drug related, doesn't believe the LaBianca, Tate and Hinman murders are connected; Manson's attempts to implicate black men fail: "Undercover Vampire Policeman" by Chris Zabriskie

End credits: "Pop Rock Guitar Rhythm" royalty free loop

Outro: "Oh Comely" by Neutral Milk Hotel

Charles Manson's Hollywood, Part 8: Sharon Tate and Roman Polanski

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While trying to launch her own acting career, Tate fell in love with, and eventually married, Roman Polanski, the hotshot Polish filmmaker who had his first massive American hit in the summer of 1968, Rosemary’s Baby. Tate and Polanski were often described as Hollywood’s “it” couple during their brief marriage, but behind the scenes their relationship was complicated by his infidelities, and her struggles to prove herself as an actress in films like Valley of the Dolls.

Show Notes:

The base list of sources for this series can be found here. This episode is a continuation of last week's episode, and was mostly based on the same sources, particularly Roman Polanski's Roman.

Once again, Ram Bergman played Roman Polanski.

Charles Manson's Hollywood, Part 7: Sharon Tate and Jay Sebring

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In the first of two episodes about the Manson Family’s most famous victim, we’ll trace actress Sharon Tate’s early years, her romance with celebrity hairdresser Jay Sebring, and the on-set affair that changed the course of Tate’s life and career. Plus: sex, drugs, haunted houses, Warren Beatty and Steve McQueen.

The base list of sources for this series can be found here.

In the immediate aftermath of the Manson murders, much misinformation, rumor and slander about the victims was published as fact, so it can be difficult to sort out truth from fiction even today -- particularly when it comes to things like sexual habits and drug consumption. My primary sources for this chapter were Roman Polanski's autobiography Roman by Polanski;Sharon Tate and the Manson Murders by Greg King; and My Husband, My Friend by Neile Adams McQueen. This 2002 story on Jay Sebring from the New York Times Magazine is a little odd, but it was useful for me to understand Sebring's accomplishments as a hairdresser. The Warren Beatty/Shampoo stuff came from Peter Biskind's Star and Easy Riders, Raging Bulls -- books which cover the same territory in almost the same exact language at times. 

Today we introduce a new special guest: Ram Bergman played Roman Polanski. 

Episode Breakdown:

Intro: "Album Tag Song" by Dennis Wilson; "Modern Heavy Rock Guitar Top Line" royalty free track; "Mellow Suspense Music" royalty free track

Jay Sebring and the Manson murders' connection to Warren Beatty's Shampoo: "Pacific Ocean Blues" by Dennis Wilson

Sharon Tate's early life: "Family Tree" by Jahzzar

Tate's teenage rape: "Crazy Raggea FX Guitar" royalty free track

Richard Beymer, Jack Palance and Sharon's early ambitions to act; Tate's arrival in Los Angeles:"Boulevard St. Germain" by Jahzzar

Sharon Tate's beauty, and insecurity: "OLPC" by Marco Raaphorst

Sharon Tate and Marty Ransohoff: "Starlight" royalty free track

Thomas Kummer becomes Jay Sebring, who revolutionizes hairdressing: "La Hacienda" by Apache Tomcat

Jay Sebring's taste for danger, living in Jean Harlow's former, now haunted house; drugs; Sharon's first big film, Eye of the Devil: "Piano Spa" royalty free track

Sharon Tate and Roman Polanski's abortive early dates and acid trip: "Cylinder Six" by Chris Zabriskie

Sharon and Roman's acid trip turns bad: "Sci Fi Movie Sound Effects 2 Spacey Guitar" royalty free track

Polanski and Tate become a couple on the set of The Fearless Vampire Killers, Polanski's attitude towards women: "Relaxing Piano Notes (Easy Listening Music) royalty free track

Sharon Tate breaks up with Jay Sebring, who insists on meeting Roman Polanski: "The Operation" by Morrissey

Sharon and Roman's idyllic early relationship: "Readers! Do You Read?" by Chris Zabriskie

End Credits: "Pop Rock Guitar Rhythm Loop 3" Royalty free track

Outro: "LA Woman" by The Doors

Charles Manson's Hollywood, Part 6: Kenneth Anger and Bobby Beausoleil

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The first person to go to jail for a Charles Manson-associated murder was Bobby Beausoleil, a charismatic would-be rock star who had put in time as a muse to Kenneth Anger -- child actor-turned-occultist experimental filmmaker, and author of the first bible of embellished celebrity scandal, Hollywood Babylon.

Show Notes:

Special thanks to this week's special guests!

Sam Zimmerman of ShockTillYouDrop.com played Bobby Beausoleil; TS Faull, screenwriter of Grimm Love, played Kenneth Anger; and Nate DiMeo, creator of The Memory Palace podcast, IS Charles Manson.

The base list of sources for this series can be found here. 

Other sources for this episode included Anger by Bill Landis; A.L. Bardach's 1981 interview with BobbyBeausoleil, originally published in Oui Magazine; "Kenneth Anger: Where the Bodies are Buried" by Mick Brown, Esquire January 2014.

This episode includes a clip from this NSFW trailer for the X-rated Western Ramrodder.

This is Bobby Beausoleil's website. This is Kenneth Anger's website.

Also mentioned in this episode: Mondo Hollywood, the surreal cult documentary capturing assorted eccentric late-1960s Los Angeles residents, directed by Robert Carl Cohen. Mondo Hollywood is available on iTunes and, last I checked, Hulu. You should read this conversation between Cohen and Paul Thomas Anderson, who arranged a screening of Mondo Hollywood at AFI Fest last year because it was a major influence on Inherent Vice. 

Charles Manson's Hollywood, Part 5: Doris Day and Terry Melcher

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Charles Manson became convinced his best chance at rock stardom was impressing Terry Melcher, a record executive who had made stars out of The Byrds, and who was also the son of one of old Hollywood's most wholesome, carefree Establishment stars, Doris Day. Terry and his girlfriend, Candice Bergen, had long lived at 10050 Cielo Drive, and sublet the house to Roman Polanski and Sharon Tate months before the murders.

Show Notes:

The base list of sources for this series can be found here. 

If there is a good Doris Day biography, other than her autobiography (which I have on order, but it hadn’t arrived by the time I had to make this episode), I couldn’t find it. I consulted two books,Considering Doris Day by Tom Santopietro and Doris Day: A Reluctant Star, both of which I found to have problems. Day deserves a serious book; I hope she someday gets one.

The other woman at the center of this episode, Candice Bergen, has written two autobiographies. I based a large portion of this episode on her first memoir, Knock Wood, published in 1984. 

Other sources for this episode:

“1969: Film star stabbed in ‘ritualistic’ killings” http://news.bbc.co.uk/onthisday/hi/dates/stories/august/9/newsid_2998000/2998214.stm

Sly Stone interview on Doris Dayhttp://www.laweekly.com/music/sly-stone-interviewed-on-kcrw-discusses-doris-day-terry-melcher-charles-manson-and-que-sera-sera-2411278

Episode Breakdown:

Intro: “Album Tag Song” by Dennis Wilson/Modern Heavy Rock Guitar Top Line royalty free loop/Delay Guitar royalty free loop 

The Golden Penetrators: Mouse Trap by Apache Tomcat

Doris Day’s marriage to Al Jourdan/parallels to New York New York/Jourdan’s abuse/Doris Day’s first screen test for Michael Curtiz/Day’s rise to fame and “perpetual virgin” persona/Pillow Talk: Easy Listening in Jazz royalty free track

Terry Melcher’s early life as surf rocker/selling song titles to Bobby Darin/Recording The Byrds: “Somewhere in My Mind” by Apache Tomcat

Terry Melcher’s relationship with Candice Bergen/Bergen as celebutante, second-rate Julie Christie and bridge between Establishment jet set and hippies: Also “Somewhere in My Mind” by Apache Tomcat, but a different part of the song  

Terry Melcher and Candice Bergen as rich hippies/Melcher’s first visit to Spahn Ranch/Melcher sleeping with Manson girl/Manson as chameleon: “If I Can’t Dance It’s Not My Revolution” by Quantum Jazz

Terry wouldn’t let Manson in his house: “For Better or Worse” by Kai Engel

Sly Stone story:  “Que Sera Sera” recorded by Sly and the Family Stone

Marty Melcher dies, leaving Doris Day destitute: “Divider” by Chris Zabriskie

Terry Melcher moves out of Cielo Drive, goes off the radar: “Crazy Reggae FX Guitar” royalty free loop

Creepy-crawls(i.e.: Manson family home invasions): “Gagool” by Kevin MacLeod

Helter Skelter put on hold to prepare for Terry Melcher’s visit to Spahn Ranch: “Au coin de la rue” by Marco Raaphorst

How dare Terry Melcher stand Charlie Manson up: “Devastation and Revenge” by Kevin MacLeod

Charles Manson meets Sharon Tate/Terry finally auditions Charlie: "Blue Feather" by Kevin MacLeod

Manson wilully misinterprets Melcher’s promises: "Mellow Music Theme Instrumental" (royalty free)

Mike Deasy’s bad trip to Spahn Ranch/Randy Starr/Charlie becomes angry all the time: "Sci Fi Movie Sound Effects" royalty free loop

Manson gets dark, creepy crawls turn into robberies, Terry Melcher gets paranoid/Melcher’s testimony: "Sinister Mood Guitar Effects" royalty free loop

The Ballad of Easy Rider and Byrdmaniax/Melcher’s later life: “Decora” by Yo La Tengo

Outro: Pop Rock Rhythm royalty free loop; “Dig It” by The Beatles

Charles Manson's Hollywood Part 4: Spahn Ranch and The Beatles' The White Album

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After wearing out his welcome at Dennis Wilson’s house, Manson moves his family to Spahn Ranch, a dilapidated Western movie set where the cult starts preparing for Helter Skelter, Manson's made-up apocalypse inspired by The Beatles. There, Manson becomes aligned with the Straight Satans motorcycle gang, and finds a new antagonist in ranch hand-turned-stuntman Shorty Shea.

Show Notes:

The base list of sources for this series can be found here. 

Gary Kent's stories about Spahn Ranch come from his memoir Shadows and Light: Journeys with Outlaws in Revolutionary Hollywood. This is a book that I only became aware of when researching this series, and I'd recommend it to anyone interested in the genre films of the 60s. 

Catherine Share's stories of her life as Manson family member "Gypsy" come from aLos Angeles Magazine "oral history" of the Manson murders, published in 2009. 

Gay Talese wrote a typically excellent story about George Spahn and his ranch for Esquire in 1970. Curbed published an also very good longform piece about the history of the ranch last year.

And, the story of Windy Bucklee comes from an interview conducted with her published in 2013 on The Manson Family blog in two parts.

I've been getting a lot of emails about music in the episodes (ie: which song is playing at which specific point in a given episode), so I'm going to try something new with the discography (see below). If you totally hate it, let me know, but if I can manage to do the extra work every week I think it will be useful. 

While I'm on the subject, a note on email: I read everything I get, and try to respond to anything that has an active question in it, as long as the question isn't hostile or insulting. Sometimes it takes me awhile. I'm trying to get better. But, you will probably receive a faster (albeit briefer) answer if you contact me on Twitter @RememberThisPod -- and this would be an especially good way to get in touch if you have a question that other people might want to know the answer to. 

Episode breakdown:

Intro: "Album Tag Song" by Dennis Wilson, Royalty free "Modern Rock Heavy" guitar riff

Gary Kent's story about meeting Tex Watson and Patricia Krenwinkle on Spahn Ranch:  "Blues Guitar Jam" royalty free loop

Spahn Ranch's silent film origins: "Piano Sonata in C minor" (royalty free)

Manson Family moving onto Spahn Ranch: royalty free "clean strumming guitar" loop

Manson Family rituals on Spahn Ranch: "Roads that burned our boots" by Jahzzar

Catherine Share's first night at Spahn Ranch: "Psychedelic Guitars Movie Soundscape" royalty free loop

Spahn Ranch ranch hands Juan Flynn, Shorty Shea and Steve Grogan: "Last Dance" by Jahzzar

Juan Flynn's confrontation with Charlie: "Atmosphere Movie Guitar Transition" royalty free loop

Shorty Shea's campaign against Manson, the family's nomadic life, The Yellow Submarine house and Manson's beating of Windy Bucklee: "I'm Not Dreaming (Instrumental version)" by Josh Woodward

Manson goes all in on Spahn Ranch as base for Helter Skelter: "Dramatic Metal Guitar" royalty free loop

The White Album writing process: "Ob-la-di, Ob-la-da" by The Beatles

Manson's nutty, narcissistic, racist interpretation of The White Album: "Meditation, Re-energize, Beatles vibe" royalty free track (Yes, this is its actual title.); "Sexy Sadie"; "Piggies"; "Rocky Raccoon"; "Happiness is a Warm Gun"; "Revolution 1"; "Honey Pie"; "Helter Skelter"; all by The Beatles.

Manson's attempts to contact The Beatles: "Deep End Echo Piano" GarageBand loop

Manson's racist interpretation of "Helter Skelter": "Dark Melodic Metal Guitar" royalty free loop

Why the Family believed Charlie's Helter Skelter theories: "Magical Space Sound Effects" royalty free loop

Preparing for Helter Skelter: "Horror Sfx Falling Down Down Down" royalty free loop

Charlie tries to pimp out the girls: "Au coin de la rue" by Marco Raaphorst

The Straight Satans and drug deals: "Key of A (Slow Heavy Metal)" royalty free loop

Signs Charlie was becoming a bad guy, Tex Watson's defection and Paul Watkins choking: "I Need to Start Writing Things Down" by Chris Zabriskie

"Death is Charlie's trip" and Charlie pulls a gun on Gregg Jakobson: "The Sun Highlights the Lack in Each" by Palace (Will Oldham)

End credits: "Pop Rock Guitar Rhythm Loop 3" royalty free loop

Outro: "The Sun Highlights the Lack in Each"

Charles Manson's Hollywood Part 3: The Beach Boys, Dennis Wilson and Manson the songwriter

Listen to this episode on Apple Podcasts.

After bringing his family to Los Angeles so he could look for a record deal, Charlie Manson befriended Beach Boy DennisWilson, and used the drummer to gain credibility in the music Los Angeles scene. In this episode we’ll talk about Charlie Manson’s arrival in Los Angeles in 1967 with designs on spreading his gospel through rock n’ roll, trace DennisWilson’s life and career leading up to this point, discuss the role Wilson played in enabling Manson’s rock n’ roll delusions, and explain how The Beach Boys came to record a song written by Charles Manson. Finally, we’ll talk about how Wilson suffered in the years following his association with Manson, leading up to his own untimely death.

Show Notes:

Today's special guests include Nate DiMeo of The Memory Palace, who returned as Charles Manson, and Noah Segan as DennisWilson. 

This episode includes many scraps of audio from DennisWilson's extraordinary solo albums, Pacific Ocean Blue and Bambu -- as much as I could reasonably fit in without egregiously violating copyright. If you like what you hear, these records are available as a single set on iTunes. 

In addition to our previously cited sources (particularly Waiting For the Sun), here is a bibliography specific to this episode:

Closing of club ignited 'Sunset Strip Riots,'LA Times, August 5, 2007

DennisWilson and Charles Manson, National Post, June 13, 2012

The Death of a Beach Boy, People Weekly, January 16, 1984

On The Road With The New Hollywood (The Making of Two Lane Blacktop), Show, March 1971

DennisWilson: The Mayor of Washington Boulevard, The Guardian, December 31, 2013

Discography: 

Album Tag Song by Dennis Wilson

Out of the Skies, Under the Earth by Chris Zabriskie

Friday Night by Dennis Wilson

I am A Man Who Will Fight For Your Honor by Chris Zabriskie

For What It's Worth by Buffalo Springfield

Once Tomorrow (Instrumental Version) by Josh Woodward

By Request by Apache Tomcat

Magical Mystery Tour by The Beatles

2PM Wake Up Call by Apache Tomcat

Pacific Ocean Blues by Dennis Wilson

Au Coin de la Rue by Marco Raaphorst

Garbage Dump by Charles Manson

Cease to Exist by Charles Manson

Nights in White Satin by The Moody Blues

Never Learn Not to Love performed by The Beach Boys

I Need to Start Writing Things Down by Chris Zabriskie

Farewell My Friend by Dennis Wilson

Dreamer by Dennis Wilson

Charles Manson's Hollywood, Part 2: Charlie Manson Finds His Family

Listen to this episode on Apple Podcasts.

Today we're tracing Charles Manson's life from his birth to a teenage con artist, through multiple stints in reform schools and prisons, and finally to San Francisco circa 1967, where Manson began to try out his guru act on the local hippie kids, and started to form the "family" that he'd eventually migrate with to Los Angeles. We'll explain how Manson cobbled together a dogma and worldview from a number of disparate sources -- including pimps he met in prison, the devout Christians in his family, San Francisco activists The Diggers, Dale Carnegie and Scientology -- and describe how and why he was an appealing figure to young women floating around the Bay Area in the late 1960s.  

"Manson girls" Pat Krenwinkle, Susan Stkins and Leslie Van Houten.

Show notes:

This week, we welcome a very special guest: Nate DiMeo, the creator of the wonderful history podcast, The Memory Palace. Nate will be playing Charles Manson throughout this season. Check out Nate's podcast on iTunes or at the above link, and follow him on Twitter @thememorypalace.

The main sources for this episode are the same as those noted last week, plus Can't Find My Way Home: America in the Great Stoned Age, 1945-2000, By Martin Torgoff

 Discography:

Album Tag Song by Dennis Wilson

Slim Fitting by Glass Boy

OLPC by Marco Raaphorst

Scubba Adventure by Apache Tomcat

The Last Ones by Jahzzar

La Hacienda by Apache Tomcat

She's Leaving Home by The Beatles

Make a Wish (For Christmas) by Lee Rosevere

Don't Be Square (Be There) by Adam and the Ants

Charles Manson’s Hollywood, Part 1: What We Talk About When We Talk About The Manson Murders

Listen to this episode on Apple Podcasts.

This season, You Must Remember This will explore the murders committed in the summer of 1969 by followers of Charles Manson, and the Hollywood music and movie scene surrounding the killings. Throughout the series, we’ll learn how a single sociopath’s thwarted dreams of fame and fortune led to the gruesome events which became the symbolic “end of the sixties.” Future episodes will explore the various celebrities, musicians, movie stars and filmmakers (including Roman Polanski, Sharon Tate, The Beach Boys, Dennis Hopper, Doris Day and more) whose paths crossed with Manson’s in meaningful ways, both leading up to the murders and in their aftermath. Today, we’ll talk about what was going on in the show business capital that made Manson seem like a relatively normal guy. Then we'll lay out the basic facts of who was killed, and how, in order to begin to explain how these unthinkable crimes fit in to the tapestry of one of the most tumultuous times in Hollywood history. 

Show Notes:

Welcome to our new season! This series will run a total of 11 weeks (I think; I’m still researching and writing) and will touch on topics as disparate as Doris Day and Michaelangelo Antonioni, Pet Sounds and Pink Flamingos. I became interested in these stories about a year ago, when I somehow found myself reading the obituary of Terry Melcher. Melcher had a really full Hollywood life, which we’ll talk about in one of these episodes, but the headline is that he was born to a teenage Doris Day, and 27 years later he became convinced he was the person the Manson family were really looking for the night they massacred everyone at Sharon Tate’s house. I knew Day and Melcher’s stories were enough to fill at least one episode; as I began researching Melcher’s connection to Manson, many, many other Hollywood stories began to emerge. I realized the story of Charles Manson and the murders he is responsible is really (or, also) the story of Hollywood and its mythology draining of hope, and I wanted to tell that story.

This should probably be obvious given the subject matter, but every single episode of this season is going to contain content and language that will probably be offensive to someone. Apologies in advance.

Bibliography:

The foundational text of this series is Jeff Guinn’s recent biography Manson: The Life and Times of Charles Manson, which I read in long stretches late at night when I was supposed to be on vacation. I couldn't put it down to go to sleep, partially because I would have nightmares every time I tried. 

Here are some other books that I read or re-read to prepare myself generally for this season. I’ll make note of additional/specific sources as we go along:

Manson: The Unholy Trail of Charlie and the Family by John Gilmore (This book was previously published as The Garbage People, a much better title, I think) 

Waiting For the Sun: A Rock n’ Roll History of Los Angeles by Barney Hoskyns

Easy Riders, Raging Bulls by Peter Biskind

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood by Mark Harris

Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream by Dave McGowan

Shadows and Light: Journeys with Outlaws in Revolutionary Hollywood by Gary Kent

Discography:

The Last Ones by Jahzzar

Stormy Moods Orchestra by Apache Tomcat

Scubba Adventure by Apache Tomcat

Alabama Song by The Doors

Alabama Song by Bertolt Brecht

Beware of the Fall by Apache Tomkat

Au coin de la rue by Marco Raaphorst

Private Hurricane (Instrumental) by Josh Woodward

Divider by Chris Zabriskie

Devastation and Revenge by Kevin MacLeod

Helter Skelter by The Beatles

Star Wars Episode XVI: Van Johnson

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Join us, for the final episode in our Star Wars series (for now). Van Johnson was MGM’s big, All American heartthrob during World War II, an one of the most reliably bankable stars in Hollywood, on and off, for over a decade. On screen, Johnson embodied bland, unthreatening, boyishness. Off-screen, he was an introvert with a mysterious personal life, and by 1947, Van’s lack of a lady friend was becoming a distraction. In a bizarre effort at damage control, Van married his best friend’s wife — on the same day as their divorce. 

Show Notes:

This is the sixteenth and final episode in our Star Wars series. At least, for now -- I'd like to return to the concept later, but transpose it to other wars. We'll also be revisiting the lives and careers of people like Frank Sinatra and Lena Horne in a future series on the blacklist. 

This episode was requested on our forums by “Marc” way back in January, when the Star Wars series first began. Marc had made a note in the forums about the “VanJohnson marriage switch,” which I had never heard of before. I had knownJohnson as the rather milquetoast co-star/romantic lead in musicals like The Shop Around the Corner. (I did like him in the Fitzgerald adaptation The Last Time I Saw Paris, although that movie suffers from the problems a lot of adaptions of great 20th century literature suffered from under the production code.) But I somehow missed the stories about Johnson’s marriage, as well as the flurry of writing that followed his death in 2008. While the New York Times obit suggests Johnson married Evie Wynn against the wishes of MGM, manyotherwritings in concert with Johnson's death noted that Johnson was widely acknowledged to be gay, positioning the marriage as a studio-ordered cover-up.

The above linked posts helped me find the books which I based this episode on, all of which are great reads: We Will Always Live in Beverly Hills by Ned Wynn, VanJohnson: MGM's Golden Boy by Ronald L. Davis, and Lion of Hollywood: The Life and Legend of Louis B. Mayer.

Thanks for listening for these sixteen weeks! We'll be on hiatus for the next three weeks, so this might be a good time for you to explore our archives. Here are some of my favorite episodes that you might have missed:

Kay Francis, 1930s party girl par excellence

Isabella Rossellini in the 1990s

Low-budget horror pioneer Val Lewton

Ida Lupino, groundbreaking female film director

The Lives, Deaths and Afterlives of Judy Garland

Discography:

Faster Does It by Kevin MacLeod

Gymnopedie No 2, by Eric Satie, performed by by Kevin MacLeod

Ghost Dance by Kevin MacLeod

Money by Jahzzar

Impossible Bouquet by No Age

Undercover Vampire Policeman by Chris Zabriskie

Out of the Skies, Under the Earth by Chris Zabriskie

Au coin de la rue by Marco Raaphorst

Divider by Chris Zabriskie

For Better or Worse by Kai Engel

There’s Probably No Time by Chris Zabriskie

Celebrity Skin by Hole

Star Wars Episode XV: Why John Wayne Didn’t Sign Up

Listen to this episode on Apple Podcasts.

No actor on movie screens in the 1940s embodied American patriotism and unpretentious masculinity better than JohnWayne, whose career was revitalized in 1939 with John Ford’s groundbreaking western, Stagecoach. But Wayne didn’t have the defining experience of most adult American men of the 1940s — though he played uniformed men in several movies, off-screen Wayne didn’t enlist to serve in World War II. We’ll talk about the motivations Wayne had to stay home, from his relatively late-blooming stardom to his affairs with Marlene Dietrich and the prostitute he ultimately married; Wayne’s relationship with decorated veteran Ford and their uneasy collaboration on the film They Were Expendable; and the connection between Wayne’s lack of military service and his later right-wing activism. 

Show Notes:

Aside from being a casual fan of movies like The Quiet Man and The Searchers, I knew very little about JohnWayne before deciding to include him in this Star Wars series. In not knowing where to start with learning about one of the greatest, most controversially mythic stars of the 20th century, I decided to compare and contrast two biographies published within months of one another: Marc Eliot’s American Titan: Searching For JohnWayne, and JohnWayne: The Life and Legendby Scott Eyman. I chose Eliot's book specifically because there was a Daily Mail story last year which used it to back up claims that Wayne avoided the war because he was so in love with Marlene Dietrich. But I didn't actually find that assertion in Eliot's book, at least not in any kind of literal way. It seems like it was a willful mis-inference on the part of the British tabloid. 

UPDATE, 4/21/15, 9:11 AM: I can't believe I forgot to include Mark Harris' Five Came Back in this episode's bibliography! It is the first place I learned of John Ford's disapproval of Wayne's approach to the war, so it's more responsible for this episode than any other source.  

Discography:

I’m Not Dreaming (Instrumental) by Josh Woodward

Keechie by No Age

Au coin de la rue by Marco Raaphorst

Divider by Chris Zabriskie

Falling In Love Again performed by Marlene Dietrich 

Gagool by Kevin MacLeod

For Better or Worse by Kai Engel

Let’s Call it a Day performed by Marlene Dietrich 

Star Wars Episode XIV: Frank Sinatra Through 1945

Listen to this episode on Apple Podcasts.

Old Blue Eyes was once a young, skinny kid from Hoboken, and his rise to fame coincided almost exactly with the end of the Depression and the run up to and fighting of World War II. Unlike so many young men, famous or otherwise, Sinatra didn't enlist, and the controversy over whether or not he was a "draft dodger" hung over his head, even as he suited up in films like Anchors Aweigh.

Show Notes:

This episode is one of a miniseries within the Star Wars series: Three Who Didn't Go. The original idea was to make these mini-episodes, but With Frank there's always a lot to say; the next two might end up be shorter than usual, though. 

The primary source this week was Frank: The Voice, by James Kaplan, a beautifully written biography on the first half of Sinatra's career. There are many other sources out there arguing the details of Sinatra's draft status. but Kaplan's seems to be the best researched and most up-to-date by far. That said, you can look at excerpts from Frank's FBI file on their site.

This Paley Center article on Sinatra's impact on teenagers was also useful. 

This episode includes a clip of Sinatra singing 'I Fall In Love Too Easily" in the film Anchors Aweigh.

Discography:

What Time Does the Next Miracle Leave? by FrankSinatra

Preludes for Piano No. 2 by George Gershwin

Preludes for Piano No. 1 by George Gershwin

Misty performed by FrankSinatra

Stardust performed by FrankSinatra

Dances and Dames by Kevin MacLeod

Je T'aime...Moi Non Plus by Serge Gainsbourg

The Operation by Morrissey

I Had the Craziest Dream by FrankSinatra

I Knew a Guy by Kevin MacLeod

Faster Does It by Kevin MacLeod

Tikopia by Kevin MacLeod

Au coin de la rue by Marco Raaphorst

I am a Man Who Will Fight For Your Honor by Chris Zabriskie

My Way performed by Elvis Presley

YMRT #40: The You Must Remember This One Year Anniversary Ask Us Anything Show

Listen to this episode on Apple Podcasts.

You Must Remember This turns one year old this month, and to celebrate, Karina takes questions from listeners. Topics range from book recommendations to the blacklist to baseball to Karina’s abandoned, unfinished novel.

Special thanks to all of our question-askers!

Discography:

What True Self, Feels Bogus, Let’s Play Jason X by Chris Zabriskie

Please Let Me Get What I Want by The Smiths, performed by The Halo Benders